Rancière is one of the most interesting and original philosophers in France today, well-known for his work on aesthetics, politics and the philosophy of literature.
This book is a critical introduction to contemporary French philosopher Jacques Ranciè re. It is the first introduction in any language to cover all of his major work and offers an accessible presentation and searching evaluation of his significant contributions to the fields of politics, pedagogy, history, literature, film theory and aesthetics. This book traces the emergence of Ranciè re's thought over the last forty-five years and situates it in the diverse intellectual contexts in which it intervenes. This approach reveals that a grasp of his early archival and historiographical work is vital for a full understanding both of his later politics and his ongoing investigation of art and aesthetics.
Along the way, this book explains and analyses key terms in Ranciè re's very distinctive philosophical lexicon, including the 'police' order, 'disagreement', 'political subjectivation', 'literarity', the 'part which has no part', the 'regimes of art' and 'the distribution of the sensory'.
This book argues that Ranciè re's work sets a new standard in contestatory critique and concludes by reflecting on the philosophical and policy implications of his singular project.
Inhaltsverzeichnis
Preface vii
Acknowledgements xiii
1 The Early Politics: From Pedagogy to Equality 1
Althusser's lesson 2
Platonic inequality in Marx, Sartre and Bourdieu 15
Jacotot and radical equality 25
2 History and Historiography 36
Les Ré voltes Logiques (1975-81) 36
The Nights of Labor: The Workers' Dream in Nineteenth-Century France [1981] 52
The Names of History: On the Poetics of Knowledge [1992] 57
Conclusion 72
3 The Mature Politics: From Policing to Democracy 74
Politics and 'the police' 76
Ranciè re's structural account of democracy: the 'wrong' and the miscount 80
Political 'subjectivation' 84
The aesthetic dimension of politics: the 'division' or 'distribution' of 'the sensory' (le partage du sensible) 90
Overall assessment of Ranciè re's account of politics 92
4 Literature 101
'What is literature?' 102
Writing, literarity . . . and literature 107
Ranciè re as reader 115
5 Art and Aesthetics 126
Aesthetic experience and equality: with Kant and Gauny, against Bourdieu 128
The regimes of art 134
Film and film theory 138
Contemporary art, politics and community 152
Afterword 160
Notes 162
References 191
Index 207
