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Produktbild: North | Louis-Ferdinand Celine, Louis C?line
Weitere Ansicht: North | Louis-Ferdinand Celine, Louis C?line
Produktbild: North | Louis-Ferdinand Celine, Louis C?line
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In this novel, Louis-Ferdinand Celine (Journey to the End of the Night, Death on the Installment Plan) offers us a vivid chronicle of a desperate man's frantic flight from France in the final months of World War II. Accompanied by his wife, their cat, and an actor friend, our autobiographical narrator Ferdinand leaves Paris for Baden-Baden (a World War II hideaway for wealthy Germans), is then sent to a bombed-out Berlin, and finally leaves for Denmark in search of the gold he had stashed there prior to the war. With the Third Reich in ruins and the Allied armies on Ferdinand's heels, North combines documentary realism with hallucinatory images, capturing the chaos of war and its toll on both victim and victimizer.

Produktdetails

Erscheinungsdatum
01. September 1996
Sprache
englisch
Seitenanzahl
454
Autor/Autorin
Louis-Ferdinand Celine, Louis C?line
Übersetzung
Ralph Manheim
Verlag/Hersteller
Produktart
kartoniert
Gewicht
513 g
Größe (L/B/H)
203/141/26 mm
ISBN
9781564781420

Portrait

Louis-Ferdinand Celine

Louis-Ferdinand Celine (1894-1961) was a French writer and doctor whose novels are antiheroic visions of human suffering. Accused of collaboration with the Nazis, Celine fled France in 1944 first to Germany and then to Denmark. Condemned by default (1950) in France to one year of imprisonment and declared a national disgrace, Celine returned to France after his pardon in 1951, where he continued to write until his death. His classic books include Journey to the End of the Night, Death on the Installment Plan, London Bridge, North, Rigadoon, Conversations with Professor Y, Castle to Castle, and Normance.

Pressestimmen

North slams across our imminent fin-de-siecle pieties as a raw and dangerous abomination . . . Simply as the tale of a picaresque ordeal . . . North is fascinating and fizzy, but what makes it so potent as a document is the 'remarkable sensibility' that Gide commended. The prose has a dense inconsecutiveness brought about in part by Celine's favorite device of the three dots . . . (which both invite you on and trip you up), but also by his flair for letting his imagination range further than his analytical mind wants to go.

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