A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity.
In Sculpting in Time, Andrey Tarkovsky has left his artistic testament, a remarkable revelation of both his life and work. He sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films.
Inhaltsverzeichnis
- Introduction
- Chapter I: The beginning
- Chapter II: Art—a yeaming for the ideal
- Chapter III: Imprinted time
- Chapter IV: Cinema's destined role
- Chapter V: The film image
- Time, rhythm and editing
- Scenario and shooting script
- The film's graphic realisation
- The film actor
- Music and noises
- Chapter VI: The author in search of an audience
- Chapter VII: The artist's responsibility
- Chapter VIII: After Nostalgia
- Chapter IX: The Sacrifice
- Conclusion
- Notes