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VersandkostenfreiThis reader collects some of the most important essays on the relationship between culture and music. The topic has received enormous attention over the last few decades, transforming musicology throughout much of the Western world. The essays examine the connections between music and such diverse areas as language, the body, class, production, and consumption. Among the contributors are Jacques Attali, John Blacking, Michel Foucault, Lydia Goehr, Lawrence Kramer, Portia Maultsby, Rose Rosengard-Subotnik, Theodor Adorno, and Ero Tarasti. The collection provides an ideal introduction for students of music, sociology and cultural studies and for anyone interested in contemporary musicology.
Inhaltsverzeichnis
- Preface
- Acknowledgements
- Introduction: Music, Culture, and Society: Changes in Perspective
- PART I: MUSIC AND LANGUAGE
- Introduction
- 1: Harold Powers: An Overview
- 2: Deryck Cooke: On Musical Communication
- 3: Leonard Bernstein: On Musical Semantics
- 4: Patricia Tunstall: On Musical Structuralism
- 5: Eero Tarasti: On Music and Myth
- 6: Gino Stefani: On the Semiotics of Music
- PART II: MUSIC AND THE BODY (GENDER, SEXUALITY, AND ETHNICITY)
- Introduction
- 1: Simon Frith and Angela Robbie: On the Expression of Sexuality
- 2: Jenny Taylor and Dave Laing: On the Representation of Sexuality
- 3: Charles Ford: On Music and Masculinity
- 4: Elizabeth Wood: On the Sapphonic Voice
- 5: David Hatch and Stephen Millward: On Black Music and Authenticity
- 6: Portia Maultsby: On Africanisms
- 7: John Blacking: On Musical Behaviour
- 8: Richard Leppert: On Music and Dance
- 9: Ralph Locke: On Music and Orientalism
- PART III: MUSIC AND CLASS
- Introduction
- 1: Theodor Adorno: On Classes and Strata
- 2: David Harker: On Industrial Folksong
- 3: Derek Scott: On Music and Hegemony
- 4: Paul Willis: On Subculture and Homology
- 5: Richard Middleton: On Articulating the Popular
- 6: Dai Griffiths: On Grammar Schoolboy Music
- PART IV: MUSIC AND CRITICISM
- Introduction
- 1: Graham Vullaimy: On Music and the Idea of Mass Culture
- 2: Lucy Green: On Musical Experience
- 3: Allan Moore: On the Pop-Classical Split
- 4: Michel Foucault and Pierre Boulez: On Music and Reception
- 5: Rose Rosengard-Subotnik: On Deconstructing Structural Listening
- 6: Lawrence Kramer: On Deconstructive Text-Music Relationships
- 7: Steve Sweeney-Turner: On Dialectics Versus Deconstruction
- PART V: MUSIC PRODUCTION AND CONSUMPTION
- Introduction
- 1: Paddy Scannell: On Music and Dissemination
- 2: Evan Eisenberg: On Phonography
- 3: Lydia Goehr: On the Musical Work-Concept
- 4: Peter Wicke: On the Economics of Popular Music
- 5: Peter Martin: On Changing Technology
- 6: Jacques Attali: On Musical Reproduction (Exchange-Object and Use-Object)
- 7: J. Shepherd and J. Giles-Davies: On the Negotiation of Meaning
- 8: Andrew Goodwin: On Popular Music and Postmodernism
- References
- Brief Explanatory Notes on Theory
- Index
Produktdetails
Erscheinungsdatum
06. April 2000
Sprache
englisch
Seitenanzahl
252
Autor/Autorin
Bernard Scott
Herausgegeben von
Derek B. Scott
Verlag/Hersteller
Produktart
kartoniert
Gewicht
389 g
Größe (L/B/H)
234/156/14 mm
ISBN
9780198790129
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Pressestimmen
There is much to enjoy in Music, Culture, and Society, many of the readings making one want to go away and read more ... This is very much a collection to dip into, rather than to read from cover to cover, and will thus prove useful for postgraduates, or for musicologists wishing to get some idea about debates outside their own immediate concerns. Music and Letters Timely ... presents a diversity of viewpoints around the central subject which often bounce off each other in intriguing ways ... Such a collection can perhaps be imagined as a kind of musicological party: some old friends (or perhaps enemies) are here, but there are plenty of new faces to get to know. Music and Letters This book shows just how thoroughly and irrevocably [the] purist view of classical music has been shattered. Ivan Hewett, BBC Music Magazine
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