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Produktbild: The Cambridge Companion to the Orchestra

The Cambridge Companion to the Orchestra

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This guide to the orchestra and orchestral life is unique in its breadth of coverage.

Inhaltsverzeichnis

1. The history of the orchestra Tim Carter and Erik Levi; 2. The development of musical instruments Robert Barclay; 3. The orchestral repertory Peter Laki; 4. From notation to sound Richard Rastall; 5. The art of orchestration Julian Rushton; 6. The history of direction and conducting Jeremy Siepman; 7. International case studies Jon Tolanski; 8. The revival of historical instruments Colin Lawson; 9. Recording the orchestra John Rushby-Smith; 10. Training the orchestral musician Simon Channing; 11. The life of an orchestral musician Clive Gillinson and Jonathan Vaughan; 12. Historical recordings of orchestras Robert Philip; 13. The orchestral composer Robert Saxton; 14. Educational programmes Sue Knussen; 15. The future of the orchestra Stephen Cottrell. Appendix 1. The constitution of selected orchestras; Appendix 2. Orchestras founded in the nineteenth century; Appendix 3. Orchestras founded in the twentieth century.

Produktdetails

Erscheinungsdatum
31. Dezember 2008
Sprache
englisch
Seitenanzahl
312
Herausgegeben von
Colin Lawson
Produktart
kartoniert
Gewicht
542 g
Größe (L/B/H)
244/170/17 mm
ISBN
9780521001328

Pressestimmen

'... interesting, thought provoking contributions ... The book is a genuine testament to the immense variety of skills, knowledge and understanding that go into creating and maintaining an orchestra. I would hope that people other than those already involved in this musical vocation would pick it up - certainly it gives a wonderful impression of the world of orchestral music.' Classical Music 'Colin Lawson's book provides both a fascinating introduction to orchestra's many facets and a stimulating set of diverse essays ... this book is a stimulating resource, and will provide an excellent addition to any bookshelf ... I should be surprised if even those who live and breathe orchestras do not find thought-provoking material here, as well as anecdotes to delight in.' British Journal of Music Education

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