Miles Davis, Ornette Coleman, and Cecil Taylor revolutionized music from the end of the twentieth century into the twenty-first, expanding on jazz traditions with distinctly new concepts of composition, improvisation, instrumentation, and performance. They remain figures of controversy due to their border-crossing processes. Miles, Ornette, Cecil is the first book to connect these three icons of the avant-garde, examining why they are lionized by some critics and reviled by others, while influencing musicians across such divides as genre, geography, and racial and ethnic backgrounds. Mandel offers fresh insights into their careers from interviews with all three artists and many of their significant collaborators, as well as a thorough overview of earlier interpretations of their work.
Inhaltsverzeichnis
EPIGRAMS Preface Acknowledgements Photography credits JAZZ BEYOND JAZZ - THE AVANT-GARDE MILES DAVIS, DIRECTIONS Me and Miles - un-cool confessions New directions Talkin', playin', BSn' Later and after ORNETTE COLEMAN, QUESTIONS AND CONJECTURES Ornette I've met Harmolodic dialogue Circle of improvisers Coleman family business Honors CECIL TAYLOR, GRAND PASSI ONS The Great Unknown Late tea, early winter and my dinner with Cecil Speaking of drummers FURTHERMORE: THE ONCE AND FUTURE AVANT-GARDE Notes Selected Bibliography Index
