Suitable for camera operators and directors who want to move the camera well, this title helps to learn various aspects of Steadicam operating. It moves from the physics and balancing of a Steadicam, through a line dances and practice shots, to the personal aspects of filmmaking - how individual operators make creative and practical decisions.
Inhaltsverzeichnis
INTRODUCTION, Cut. Print. Great. The history of the Steadicam is pretty well known, How to begin SECTION ONE: the Steadicam® and its parts, Wearing the Steadicam® , Basic Physics, Getting to know the rig: Basic Steadicam terms, Build the Steadicam, Four balancing acts, Static balance, Dynamic balance, SECTION TWO: getting started SECTION THREE: beyond the basics SECTION FOUR: Steadicam® and filmmaking SECTION FIVE: movement techniques SECTION SIX: framing techniques SECTION SEVEN: getting to work SECTION EIGHT: extending the range of movement SECTION NINE: extending the range of options Steadicam® and vehicles SECTION TEN: the business side of Steadicam SECTION ELEVEN: unique environments and requirements SECTION TWELVE: the experienced operator CONCLUSION.
