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Produktbild: Churchill Plays: 1 | Caryl Churchill
Produktbild: Churchill Plays: 1 | Caryl Churchill

Churchill Plays: 1

Owners; Traps; Vinegar Tom; Light Shining in Buckinghamshire; Cloud Nine

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Formerly part of the "World Dramatists" series of play collections by classic and modern playwrights, including foreign works in workable and accurate translations, this title and seven others are reissued in a new format under the heading, "World Classics".

Inhaltsverzeichnis

Owners; Traps; Vinegar Tom; Light Shining in Buckinghamshire; Cloud Nine

Produktdetails

Erscheinungsdatum
14. Mai 2009
Sprache
englisch
Seitenanzahl
336
Reihe
Contemporary Dramatists
Autor/Autorin
Caryl Churchill
Verlag/Hersteller
Produktart
kartoniert
Gewicht
271 g
Größe (L/B/H)
198/130/25 mm
ISBN
9780413566706

Portrait

Caryl Churchill

Caryl Churchill is an award-winning playwright, whose plays are renowned for their striking influence upon contemporary British theatre practices. Indicative of her enduring impression upon the theatrical landscape, Churchill has won Obie Awards for her widely celebrated plays Cloud 9 (1979), Top Girls (1982), Serious Money (1987) and A Number (2002). Further cementing her reputation as an outstanding playwright, in 2002 Churchill won an Obie Award for Lifetime Achievement and in 2010 was placed in the American Theatre Hall of Fame. She continues to produce innovative and provocative work, such as Seven Jewish Children - a play for Gaza (2009) and Love and Information (2012), and in January 2016 her latest full-length play, Escaped Alone, opened at the Royal Court Theatre to great acclaim. With an illustrious theatre career that transcends four decades, Caryl Churchill is arguably more than just one of Britain's most revered female playwrights; she is one of Britain's most respected and groundbreaking working today.

Pressestimmen

Cloud Nine ... ought now to be established as one of the great psycho-sexual comedies of the 20th century. Evening Standard Caryl Churchill's Cloud Nine is the cleverist, drollest, most sexily experimental exercise in "compare and contrast" that British theatre has probably ever seen. Daily Telegraph This is the play that established Caryl Churchill as the most imaginatively daring of our major dramatists; and, nearly 30 years after its premiere, it still seems not only remarkably inventive but as sharp about the contradictions of gender as anything that has been written since. The Times

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