The Oxford Handbook of Latin Palaeography provides a comprehensive overview of the development of Latin script from Antiquity to the Renaissance, codicology, and the cultural setting of the medieval manuscript. It will be an indispensable tool for all those interested in medieval book production.
Inhaltsverzeichnis
- Forward and Acknowledgements
- Introduction: Frank T. Coulson, Department of Classics, The Ohio State University
- A. SCRIPT
- A.1 Organizing Script
- 1. Punctuation: Frank T. Coulson, Department of Classics, The Ohio State University
- 2. Abbreviations: Olaf Pluta, Institut für Philosophie, Ruhr-Universität Bochum
- 3. Numerals: Charles Burnett, Professor of the History of Islamic Influences on Europe, Warburg Institute
- A.2 Greco-Roman Heritage
- 4. Old Roman Cursive: Teresa De Robertis, Dipartimento di Storia,
- Archeologia, Geografia, Arte, Spettacolo - Università di Firenze (Translated from the Italian by Consuelo Dutschke)
- 5. New Roman Cursive: Teresa De Robertis, Dipartimento di Storia,
- Archeologia, Geografia, Arte, Spettacolo - Università di Firenze (Translated from the Italian by Consuelo Dutschke)
- 6. Square and Rustic Capital: David Wright, The University of California, Berkeley
- 7. Uncial: Robert G. Babcock, University of North Carolina at Chapel Hill
- 8. Semi-Uncial: Robert G. Babcock, University of North Carolina at Chapel Hill
- 9. Greek Scripts in Latin Manuscripts: Walter Berschin, Universität Heidelberg
- A.3 Early Medieval Hands
- 10. Beneventan: Francis Newton, Professor of Latin Emeritus, Duke University
- 11. Visigothic: Jesus Alturo i Perucho, Universitat Autonoma di Barcelona
- 12. Luxeuil: Paolo Cherubini, Professore ordinario, Università degli Studi di Milano - Bicocca
- 13. Merovingian Gaul: David Ganz, Visiting Professor of Palaeography, The Medieval Institute, The University of Notre Dame
- 14. St. Gall and Alemannic: Anna A. Grotans, Department of Germanic Languages and Literatures, The Ohio State University
- 15. Insular Script: Peter Stokes, King's College, University of London
- A.4 Carolingian Minuscule
- 16. Carolingian Minuscule in France and Germany: David Ganz, Visiting Professor of Palaeography, The Medieval Institute, The University of Notre Dame
- 17. Early Carolingian Minuscule in Italy: Simona Gavinelli, Università Cattolica del S. Cuore, Milano
- 18. Late Carolingian Minuscule in Italy: Mirella Ferrari, Università Cattolica del S. Cuore, Milano
- 19. Tironian Notes: David Ganz, Visiting Professor of Palaeography, The Medieval Institute, The University of Notre Dame
- A.5 Gothic
- 20. Nomenclature of Gothic Scripts: Albert Derolez Emeritus Professor at the Free Universities of Brussels
- 21. French Gothic: Marie-Hélène Tesnière, Conservateur général au département des Manuscrits de La Bibliothèque nationale de France (Translated from the French by Frank T. Coulson)
- 22. Early English Gothic: Richard Gameson, Durham University
- 23. Later English Gothic: Pamela Robinson, University of London
- 24. German Gothic: Karl-Georg Pfaendtner, Bayerische Staatsbibliothek, München
- 25. Early Italian Gothic: Stefano Zamponi, Università di Firenze (Translated from the Italian by Consuelo Dutschke)
- 26. Late Italian Gothic: Stefano Zamponi, Università di Firenze (Translated from the Italian by Consuelo Dutschke)
- 27. Late Dutch Gothic: J.P. Gumbert, Professor Emeritus, Leiden University
- 28. Czech Republic: Hana Patkova, Charles University, Prague
- 29. Hungary and Slovakia: Juraj Sedivý, Comenius-University in Bratislava / Faculty of Arts (Translated from the German by Anna A. Grotans and Robert G. Babcock)
- 30. Interaction of Script and Print: Paul Needham, Scheide Librarian, Princeton University
- A.6 Humanist
- 31. Origins of Humanist Script: Teresa De Robertis, Dipartimento di Storia,
- Archeologia, Geografia, Arte, Spettacolo - Università di Firenze (Translated from the Italian by Consuelo Dutschke)
- 32. Italian Humanist: Teresa De Robertis, Dipartimento di Storia, Archeologia,
- Geografia, Arte, Spettacolo - Università di Firenze (Translated from the Italian by Consuelo Dutschke)
- 33. Byzantium and the West: Marianne Pade, Director, Danish Academy in Rome
- A.7
- 34. The Waning of Manuscript Production: B. Gregory Hays, Department of Classics, University of Virginia
- B. MATERIAL EMBODIMENT AND TECHNIQUES
- 35. Stages of Manuscript Production: Lucien Reynhout, Curator at the Department of Manuscripts Royal Library of Belgium, Brussels, Belgium
- 36. Stages in Diplomatic Production: Olivier Guyotjeannin, Directeur d'études à l'École nationale des chartes, Paris (Translated from the French by Robert G. Babcock and Frank T. Coulson)
- 37. Mise-en-page: Marie Hélène Tesnière, Conservateur général au département des Manuscrits de La Bibliothèque nationale de France (Translated from the French by Frank T. Coulson)
- 38. Format of Books: J.P. Gumbert, Professor Emeritus, Leiden University
- 39. Format of Documents: Olivier Guyotjeannin, Directeur d'études à l'École nationale des chartes (Paris) (Translated from the French by Robert G. Babcock and Frank T. Coulson)
- 40. Quantitative Codicology: Ezio Ornato, CNRS, Paris (Translated from the French by Robert G. Babcock and Frank T. Coulson)
- 41. Comparative Codicology: Malachi Beit-Arié, Professor Emeritus of Codicology and Palaeography, The Hebrew University of Jerusalem
- 42. Pen Flourishing: Alison Stones, Professor Emeritus, University of Pittsburgh
- C. CULTURAL SETTING
- 43. Orality and Visible Culture: Paul Saenger, Newberry Library, Chicago
- 44. Who Were the Scribes: Alison Beach, Department of History, The Ohio State University
- 45. Book Trade: Antiquity and the Early Middle Ages: Guglielmo Cavallo, Accademia Nazionale dei Lincei, Roma
- 46. Book Trade: Central, High and Late Middle Ages: Kouky Fianu, Université d'Ottawa/University of Ottawa
- D. SELECTED SCRIPTORIA AND LIBRARIES
- 47. An Overview: Donatella Nebbiai, Institut de recherche et d'histoire des textes, Paris (Translated from the French by Frank T. Coulson)
- 48. Lindisfarne: Michelle P. Brown FSA, Professor Emerita, SAS, University of London
- 49. Northern Italy in the 7th and 8th Centuries: Paolo Cherubini, Professore ordinario, Università degli Studi di Milano - Bicocca
- 50. Insular Script in its Cultural Context: Michelle P. Brown, FSA, Professor Emerita, SAS, University of London
- 51. Montecassino: Francis Newton, Professor of Latin Emeritus, Duke University
- 52. St. Gall: Anna A. Grotans, Department of Germanic Languages and Literatures, The Ohio State University
- 53. University of Paris: Richard and Mary Rouse, University of California, Los Angeles
- 54. Salisbury Cathedral Library: Teresa Webber, Trinity College, Cambridge
- 55. Florence: Xavier van Binnebeke, Bodleian Library, Oxford
- E. VARIETIES OF BOOK USAGE
- 56. Books of Hours: Rowan Watson. Senior Curator, National Art Library, Word and Image Department, Victoria and Albert Museum
- 57. Law: Susan L'Engle, Center for Medieval and Renaissance Studies, St. Louis University
- 58. The Manuscript Miscellany: George Rigg, Professor Emeritus, University of Toronto
- 59. Florilegia: Jacqueline Hamesse, Professor Emerita, L'Université catholique de Louvain
- 60. Theological Texts: Lesley Smith, Professor of Medieval Intellectual History, University of Oxford, Fellow in Politics and Senior Tutor, Harris Manchester College
- 61. Gloss and Text: Greti Dinkova-Bruun, Pontifical Institute of Mediaeval Studies, Toronto
- 62. Glossaries and Grammars: Patrizia Lendinara, Dipartimento Culture e Società, Università di Palermo
- 63. The History of Manuscripts since 1500: B. Gregory Hays, Department of Classics, University of Virginia
- 64. Manuscript Cataloguing: Consuelo Dutschke, Columbia University
