The Blue Rock Collection

Pastoral Line of Descent The Blue Rock Collection Igneous Metamorphic Crystals Sedimentary Terms Field Guide to Southern Virginia Facing in All Directions Coda: About the Second Circle A Poetic Essay on Creation, Evolution, and Imagination

Forrest Gander has degrees in geology and English literature. His recent books include the novel As a Friend, the book of poems Eye Against Eye, and the translation Firefly Under the Tongue: Selected Poems of Coral Bracho (a PEN Translation Prize Finalist), all from New Directions. A United States Artists Rockefeller Fellow, Gander is recipient of fellowships from the National Endowment for the Arts, the Guggenheim, Howard, and Whiting foundations. He has authored essays for numerous journals including The Nation, Boston Review, and The Providence Journal. He is Professor of English and Comparative Literature at Brown University in the United States. Rikki Ducornet is the author of two short-story collections, five books of poetry, and seven novels, including The Fan-Maker's Inquisition and Gazelle. She is also a painter whose work has been exhibited widely. She lives in Denver, Colorado.

It isn't long before the ethereal quality of these poems [in "Torn Awake"] begins to remind you of similar effects in the work of T. S. Eliot and the 17th century Anglo-Welsh mystic Henry Vaughan … The voices vary throughout this book's six highly speculative sequences … yet again and again they call from their spectral airiness a single recurring image, an elemental configuration of man, woman and child. Indeed the book ends with a consideration of just such a threesome frozen forever in the aftermath of an earthquake on ancient Cyprus, with the speaker proposing that such a piteous sight can be taken as either a story with no meaning or a meaning beyond story. In the midst of such questioning, the only reality is the poet's unflinchingly curious mind. -- David Kirby The New York Times Book Review Geologic codes, discoveries, plains, and entrances, Forrest Gander's long poems, transforming their language into imagery that bristles with energy. -- Ray Gonzalez The Bloomsbury Review