This study explores the history of Portuguese performance art, in its various "speculative" and "performative" forms.
Inhaltsverzeichnis
Acknowledgements
Introduction
Chapter 1. A Critical Conceptualization from Hybridism
Chapter 2. From Proto-Performances to Performance Art
Chapter 3. Performance: A Disciplinarily (IN)Operative Concept
Chapter 4. From Hybridity to Performance Meta-Hybridism
Chapter 5. Conclusion: Art of Performance as the Art of the (IN)Communicability of History
Bibliography
Index