This edited volume explores the notion of "artifice" in modern visual culture, ranging from the eighteenth century to the present, in countries around the globe.
Inhaltsverzeichnis
Part 1 Artifice and Spectatorship 1. Fractured Perception: Drawings, Prints, and Verres Casses 2. Rococo Aesthetics and the Problem of Trompe l'Oeil 3. Degas's "Histories" and the Foreshadowing Artifice of Self-Candaulism Part 2 Haptic Illusions 4. Suggestive Surfaces: The Self-Referential Texture of Woodgrain in Japanese Woodblock Prints 5. Reconsidering the Origins of Yongzheng Guwantu: From the Aniconic Period to Vimalak rtinirde a S tra 6. Fooling Art History: John F. Peto and William Harnett Part 3 Alternative Realities 7. First Nations' Wampum Belts: A Colonial Vision of Artifice in Eighteenth-Century New France 8. "An Opportunity to Grapple with the Picture Plane. . .": The Stereo-Illusion's History of Frustration 9. Self-Reference and Medium-Reference in Virtual Reality and Trompe l'Oeil
