The Handbook brings together forty articles by leading scholars of history, literature, religion, and classics, in the first full investigation of the significance of Raphael Holinshed's Chronicles of England, Scotland and Ireland (1577, 1587), the greatest of Elizabethan chronicles and a principal source for Shakespeare's history plays.
The Chronicles of England, Scotland and Ireland (1577, 1587), issued under the name of Raphael Holinshed, was the crowning achievement of Tudor historiography, and became the principal source for the historical writings of Spenser, Daniel and, above all, Shakespeare. While scholars have long been drawn to Holinshed for its qualities as a source, they typically dismissed it as a baggy collection of materials, lacking coherent form and analytical insight. This condescending verdict has only recently given way to an appreciation of the literary and historical qualities of these chronicles.
Inhaltsverzeichnis
- Preface and Acknowledgements
- List of Illustrations
- Abbreviations
- Note on References to the Chronicles
- Notes on Contributors
- Prologue
- I: THE MAKING OF HOLINSHED
- 1: Felicity Heal and Henry Summerson: The Genesis of the Two Editions
- 2: David Scott Kastan and Aaron T. Pratt: Printers, Publishers, and the Chronicles as Artefact
- 3: Cyndia Susan Clegg: Censorship
- 4: Henry Summerson: Sources: 1577
- 5: Henry Summerson: Sources: 1587
- 6: Glyn Parry: Harrison's 'Chronology' and Descriptions of Britain
- 7: James A. Knapp: Illustrations in the 1577 Edition
- II: HISTORIOGRAPHY
- 8: Alexandra Gillespie and Oliver Harris: Holinshed and the Native Chronicle Tradition
- 9: Laura Ashe: Holinshed and Mythical History
- 10: Harriet Archer: Holinshed and the Middle Ages
- 11: James Carley: Leland and Other Precursors
- 12: Scott Lucas: Holinshed and Hall
- 13: Susannah Monta and Thomas S. Freeman: Holinshed and Foxe
- 14: Wyman Herendeen: Later Historians and Holinshed
- 15: Daniel Woolf: The Wider World of Chronicling
- III: FORM, STYLE, AND RECEPTION
- 16: Tricia McElroy: Genres
- 17: Jennifer Richards: Rhetoric
- 18: Judith Mossman: Holinshed and the Classics
- 19: Elizabeth Goldring and Jayne Elisabeth Archer: Shows and Pageants
- 20: Matthew Woodcock: Narrative Voice and Influencing the Reader
- 21: Felicity Heal: Readership and Reception
- IV: POLITICS, SOCIETY, AND RELIGION
- 22: John Watts: Monarchy
- 23: Ian W. Archer: Social Order and Disorder
- 24: Peter Marshall: Religious Ideology
- 25: Alexandra Walsham: Providentialism
- 26: Paul E. J. Hammer: War
- 27: Steven Gunn: The International Context
- 28: Susan Doran: Tudor Kings and Queens
- V: LITERARY APPROPRIATIONS
- 29: Paulina Kewes: History Plays and the Royal Succession
- 30: Igor Djordjevic: Shakespeare and Medieval History
- 31: Richard Dutton: Shakespeare and British History
- 32: Richard A. McCabe: Spenser and Holinshed
- 33: Gillian Wright: Daniel and Holinshed
- 34: Bart van Es: Later Appropriations
- VI: ARCHIPELAGIC HOLINSHED
- 35: Philip Schwyzer: Archipelagic History
- 36: Alfred Hiatt: Mapping England and Wales
- 37: Ralph Houlbrooke: England
- 38: Roger Mason: Scotland
- 39: Colm Lennon: Ireland
- 40: Ralph Griffiths: Wales
- Appendix A: Contents of the two Editions of the Chronicles by Signature
- Appendix B: Raphael Holinshed: New Light on a Shadowy Life
- Bibliography
- Index