The Oxford Handbook of European Romanticism focuses on the period beginning with the French Revolution and extending to the uprisings of 1848 across Europe. It brings together leading scholars in the field to examine the intellectual, literary, philosophical, and political elements of European Romanticism. The volume begins with a series of chapters examining key texts written by major writers in languages including French, German, Italian, Spanish, Russian,
Hungarian, Greek, and Polish amongst others. Then follows a second section based on the naturally inter-disciplinary quality of Romanticism, encapsulated by the different discourses with which writers of the time, set up an internal comparative dynamic. These chapters highlight the sense a discourse gives of
being written knowledgeably against other pretenders to completeness or comprehensiveness of understanding, and the Enlightenment encyclopaedic project. Discourses typically push their individual claims to resume European culture, collaborating and trying to assimilate each other in the process. The main examples featuring here are history, geography, drama, theology, language, geography, philosophy, political theory, the sciences, and the media. Each chapter offers original and individual
interpretation of individual aspects of an inherently comparative world of individual writers and the discursive idioms to which they are historically subject. Together the forty-one chapters provide a comprehensive and unique overview of European Romanticism.
Inhaltsverzeichnis
- Introduction
- 1: Caroline Warman: Pre-Romantic French Thought
- 2: Biancamaria Fontana: Literary History and Political Theory in Germaine de Staël's idea of Europe
- 3: Jean-Marie Roulin: François-René de Chateaubriand: Migrations and Revolution
- 4: Francesco Manzini: Stendhal
- 5: Bradley Stephens: The Novel and the (Il)Legibility of History: Victor Hugo, Honoré de Balzac, and Alexandre Dumas
- 6: Sotirios Paraschas: Romantic Drama: The Mask of Genius
- 7: Katherine Lunn-Rockliffe: French Romantic Poetry
- 8: Francesco Manzini: Frenetic Romanticism
- 9: Alexander Regier: Johann Georg Hamann: Metacritique and Poesis in Counter-Enlightenment
- 10: Andrew Bowie: Freedom, Reason, and Art in Idealist and Romantic Philosophy
- 11: William Arctander O'Brien: Friedrich von Hardenberg (pseudonym: Novalis)
- 12: Maike Oergel: Jena 1789-1819: Ideas, Poetry, and Politics
- 13: Astrid Weigert: Gender and Genre in the Works of German Romantic Women Writers
- 14: Tim Mehigan: The Scepticism of Heinrich von Kleist
- 15: Rüdiger Görner: Friedrich Hölderlin's Romantic Classicism
- 16: Angus Nicholls: Goethe the Writer
- 17: Stefan Uhlig: Goethe's Figurative Method
- 18: Dennis Mahoney: Heidelberg, Dresden, Berlin, Vienna
- 19: Richard Aczel: Hungarian Romanticism: Re-Imagining (Literary) History
- 20: Joseph Luzzi: The Task of Italian Romanticism: Literary Form and Polemical Response
- 21: Michael Caesar: Voice, speaking, silence in Leopardi's verse
- 22: Franco D'Intino: Leopardi as a writer of prose
- 23: Giuseppe Gazzola: 'European Man and Writer': Romanticism, the Classics, and Political Action in the Exemplary Life of Ugo Foscolo.
- 24: Jonathan White: Manzoni's Persistence
- 25: Derek Flitter: Personal Demons and the Spectre of Tradition in Spanish Romantic Drama
- 26: Andrew Kahn: Russian Literature Between Classicism and Romanticism: Poetry, Feeling, Subjectivity
- 27: Luba Golburt: Alexander Pushkin as a Romantic
- 28: Katya Hokanson: The Geography of Russian Romantic Prose: Bestuzhev, Lermontov, Gogol and Early Dostoevsky
- 29: Monika Coghen: Polish Romanticism
- 30: Klaus Müller-Wille: Scandinavian Romanticism
- 31: Rodney Beaton: The Romantic construction of Greece
- 32: Roberto Dainotto: Geographies of Historical Discourse
- 33: Paul Stock: Histories of Geography
- 34: Douglas Moggach: Romantic Political Thought
- 35: Benjamin Dawson: Science and the Scientific Disciplines
- 36: Leon Chai: Life and Death in Paris: Medical and Life Sciences in the Romantic Era
- 37: Thomas Pfau: Religion
- 38: Diego Saglia: Theatre, Drama and Vision in the Romantic Age: Stages of the New
- 39: Angela Esterhammer: Identity Crises: Celebrity, Anonymity, Doubles, and Frauds in European Romanticism
- 40: Jan Fellerer: Theories of Language
- 41: Patrick Vincent: Europe's Discourse of Britain