Performance and identity in nineteenth and early twentieth-century Arican-American creative work.
Inhaltsverzeichnis
Acknowledgements ix
1. Our Bodies, Our/Selves 14
Racial Phantasmagoria and Cultural Struggle
2. The Escape Artist 66
Henry Box Brown, Black Abolitionist Performance, and Moving Panoramas of Slavery
3. “The Deeds Done in My Body” 131
Performance, Black(ened) Women, and Adah Isaacs Menken in the Racial Imaginary
4. Alien/Nation 207
Re-Imagining the Black Body (Politic) in Williams and Walker’s In Dahomey
5. Divas and Diasporic Consciousness 281
Song, Dance, and New Negro Womanhood in the Veil
Epilogue 343
Theatre, Black Women, and Change
Notes 349
Bibliography 417
Index 455
