The Oxford Handbook of the Eighteenth Century Novel is the first published book to cover the 'eighteenth-century English novel' in its entirety. It is an indispensible resource for those with an interest in the history of the novel.
The Oxford Handbook of the Eighteenth Century Novel is the first published book to cover the 'eighteenth-century English novel' in its entirety. It is an indispensible resource for those with an interest in the history of the novel.
Inhaltsverzeichnis
Preface
PART I: 1660-1770: FROM 'NOVELS' TO WHAT IS NOT YET 'THE NOVEL'
The economics of culture 1660-1770
1: Peter Hinds: The Book Trade at the Turn of the Eighteenth Century
2: Michael F. Suarez, S. J.: Business of Fiction: Novel Publishing, 1695-1774
3: Pat Rogers: Social Structure, Class, and Gender, 1660-1770
4: Brian Cowan: Making Publics and Making Novels: Post-Habermasian Perspectives
Influences on the early English novel
5: Walter L. Reed: The Continental Influence on the Eighteenth-Century Novel: 'The English Improve What Others Invent'
6: Gillian Dow: Criss-crossing the Channel: The French Novel and English Translation
7: W. R. Owens: Religious Writings and the Early Novel
8: Cynthia Wall: Travel Literature and the Early Novel
9: Rebecca Bullard: Secret History, Politics, and the Early Novel
Early 'Novels' and Novelists
10: Thomas Keymer: Restoration Fiction
11: David Oakleaf: Testing the Market: Robinson Crusoe and After
12: Clement Hawes: Gulliver Effects
13: Peter Sabor: 'Labours of the Press': The Response to Pamela
14: John Dussinger: Samuel Richardson and the Epistolary Novel
15: Scott Black: Henry Fielding and the Progress of Romance
16: Simon Dickie: Novels of the 1750s
17: Tim Parnell: 'Tristram is the Fashion': Sterne, Shandyism, and the sentimental novel
Epilogue: The English Novel at the end of the 1760s
PART II: 1770-1832: THE MAKING OF THE ENGLISH NOVEL
Literary Production 1770-1832
18: John Feather: The Book Trade 1770-1832
19: Robert Folkenflik: The Rise of the Illustrated English Novel to 1832
Authors, readers, reviewers, and critics, 1770-1832
20: W. A. Speck: Social Structure, Class and Gender, 1770-1832
21: Barbara M. Benedict: 'Male' and 'Female' novels? Gendered Fictions and the Reading Public, 1770-1832
22: Antonia Forster: Reviewing the Novel
23: Peter Garside: 'Ordering' Novels: Describing Prose Fiction, 1770-1832
Novels and Novelists, 1770-1832
24: Ros Ballaster: The Rise and Decline of the Epistolary Novel, 1770-1832
25: Geoffrey Sill: Developments in Sentimental Fiction
26: Deirdre Shauna Lynch: Philosophical Fictions and 'Jacobin' Novels in the 1790s
27: M. O. Grenby: The Anti-Jacobin Novel
28: David H. Richter: The Gothic Novel and the Lingering Appeal of Romance
29: Markman Ellis: Novel and Empire
30: Gary Kelly: The Popular Novel 1790 to 1820
31: Lisa Wood: The Evangelical Novel
32: Jan Fergus: 'Pictures of domestic Life in Country Villages': Jane Austen and the 'Realist' Novel
33: Ina Ferris: Authorizing the Novel: Walter Scott's Historical Fiction
34: Gary Dyer: Parody and Satire in the Novel, 1770-1832
J. A. Downie is Professor of English at Goldsmiths, University of London, where he was formerly Dean of the Faculty of Arts and Pro-Warden (Academic). The author of five monographs, he has also edited three collections of essays, as well as editions of Defoe's political and social writings for Pickering & Chatto's The Complete Works of Daniel Defoe. For many years he was the editor of the section of The Scriblerian devoted to Defoe and the Early Novelists. His most recent book is A Political Biography of Henry Fielding.
Pressestimmen
As a vehicle for "critical and contextual commentary," the Handbook succeeds and occasionally even delights. Its two parts, divided chronologically pre- and post-1770, offer social, material, and literary context forsubsequent discussions of particular authors and genres. Kristina Booker, University of Oklahoma, Eighteenth-Century Fiction
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